Fear, Exposed – Featuring Jenna Tros

Hey, everyone! Happy glorious Tuesday!
This week on Fear, Exposed, I’m wild to present this story by Jenna Tros, who went from being unhappy & laid off in NYC, to accidentally finding the job of her dreams, traveling the world, pounding on drums, making quite a delightful scene & thrilling audiences everywhere. They’re called The Rhythm Hunters, and, seriously, does she not look just like a vibrant, glowing, free-spirited Shakira up there on that stage? I just love it. And I know you’ll love her. *Cue emphatic applause*
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It was 12:15am, January 1st 2010, and I’d just finished performing Ladoai at the Woodford Folk Festival in Queensland, Australia, counting down to midnight on the main stage in front of 10,000 people. At that very moment, life couldn’t get any better.
Life wasn’t always this great, though.
Life, before, well…I wouldn’t call it mundane, but it was pretty normal. I graduated from college with a degree in Environmental Studies, and had been lucky enough to get a job that I enjoyed, canvassing with an environmental organization that I’d worked with in summers before.
I was bringing home enough money to move out of my parents’ house, and had mustered enough savings that when I got offered an internship at a climate consulting organization, I left the other job immediately and jumped in.
I loved that job.
We worked with business and government to enact climate legislation that was beneficial to the environment without stifling business interests … I thought I’d spend the rest of my life there. It was the perfect job to utilize the skills I had from college.
And every day I got up feeling like I was doing something important.
However, the economy tanked, and one day, my boss brought me into an inside room and, well…he downsized me. In fact, they needed me out by the next day, as they were consolidating other branches and needed my desk space. I felt discarded, and used, and it seemed like the end of the world (I’d actually never been fired before)–I was completely devastated.
I tried not to make a scene as I packed up my stuff, and then slipped out as the tears started falling… I thought I’d found my perfect job, but they didn’t want me. ME! What was wrong with me that meant that it was ok to let me go? Didn’t they know I was committed, that I was a go-getter, that I had gone to college to prepare JUST FOR THIS?
The thought didn’t even register that it wasn’t my fault, that I wasn’t bad at the job–I was just living in NYC at a time when 20,000 bankers lost their jobs as well. I felt hopeless, and insecure, and incredibly unhappy. Suddenly my savings seemed to be disappearing much more quickly than I had anticipated, and moving back in with my parents upstate started looming in my future. I was completely panicking, totally afraid of what was to come.
What if I never found a good job again? What if I settled into mediocrity, and wound up in a cubicle pushing buttons just because it put food on the table?
I was lucky, I’ll admit: I had a cousin who’s lived in Japan for the last 15 years, and he needed help at his ski lodge for the winter season. I figured I’d have a better chance of getting another job in NYC if I gave the economy 3 months to recover, so I begged him to let me be his personal assistant for the ski season, even though I didn’t speak a word of Japanese. He agreed. It was, admittedly, nepotism at it’s best.
Still, I was scared to leave NY. Everyone kept on telling me what a great opportunity going to Japan would be, but I didn’t want to leave the comfort of familiarity. I had found a part time job that had the possibility of turning into a full time job if I played my cards right; it was a fair trade food company that I felt good about working for.
Was I crazy, leaving it now, for three months of work? I knew that if I stayed I could work my way into becoming a full time employee. But was it really what I wanted to do with my life?
I decided to go.
It was only three months, and I decided to trust in fate; if the job was still available when I got back, clearly it was meant for me, and if it wasn’t, then I wasn’t meant to have it.
On December 3rd, 2008, I left New York, not knowing that my life would change forever.
Working in Niseko didn’t change me much (although it fried my brain learning how to drive on the other side of the road). We were very isolated on the mountain, and the rest of the staff mostly spoke only Japanese.
I was pretty content to be a loner and sit up in my room, working on designing new marketing materials or whatnot, and talking to my friends back home. However, I did force myself to get out occasionally, and would go to an expat bar to play pool. I wasn’t great at pool, but I could hold my own long enough to strike up conversation, and so I started to talk with the massive amounts of Australians who’d come to work for the ski season.
They would all make fun of my accent, and generally drink me under the table, but they were also genuinely nice, open, and upfront people, and I really enjoyed spending time with them.
I’d kind of always wanted to go to Australia.
I wasn’t sure why, I just knew in the back of my mind that it was a place I needed to explore. I began to talk about going there for a month before going home, until one of the Australians convinced me differently: “There’s no way you can see Australia in a month. You need at least 6… Apply for a visa, they give them out like candy, and do it properly!”
My poor parents. I’m an only child; they’d resigned themselves to not seeing me for 3 months, but it was hard for them, and they definitely missed me. There was silence on the end of the telephone line when I told them I’d gotten a work and holiday visa to Australia, and wouldn’t be home for at least another six. They were pretty unhappy about it, but I was massively excited.
Australia! Crocodile Dundee! Hot men with great accents! That’s not a knife mate, this is a knife!
Looking back on it, I had no idea what I was getting myself into.
I got to Australia with $3000 allocated for the trip. For the first 2 months, I wwoofed and couchsurfed my way from Cairns down to Sydney, figuring I’d find temporary work when I ran out of money, just to keep me going. However, I began to realize I was enjoying my time in Australia even more than I thought I would, because I kept on meeting really laid back, awesome people, and the more people I met, the more I realized how frantic and frenetic the pace of life in NY really was.
Australians got at least 3 weeks of paid vacation time, and free healthcare, and a minimum wage of $14. I kept on thinking, “This feels right”, and more and more I began to trust my instincts, and trust in the kindness of strangers, and kept on getting rewarded for it in ways that I never would have in NY.
I’d talk to a stranger on a bus and they’d end up letting me stay at their house when my other plans fell through, or I’d ask someone for directions and they’d end up buying me lunch. I thought that I would start looking for a city I could settle down in and look for a job that I’d enjoy, and so I traveled with that in mind, and things kept on working out for me, and the more I trusted people, the more I was rewarded.
This culminated in a series of unlikely events that ended up leading to my being a professional percussionist.
I was wwoofing at an ashram for a month, meditating and doing yoga (I didn’t particularly like yoga, but the guy I started traveling with loved it, so I was putting up with it for his sake), and these drummers came in and did a yoga drumming workshop, about finding the meditation in a rhythm.
I hadn’t known it was going on, and I hadn’t paid for it, but when I got an hour off from working and poked my head in, one of the teachers told me I could join in and play if I wanted to. They looked so happy doing it that I couldn’t resist, and so I sat down, hit a djembe, and… something just clicked.
It felt so natural, so right, and I just felt like I needed to learn more.
They mentioned at the end of the session that they took couchsurfers at their drumming studio, and I begged them to let me stay there for a week or two. Once I got there, I went to a festival and saw them perform professionally as The Rhythm Hunters, and that was the beginning of the end for me.
I HAD to learn, and I had to stay for a lot longer than I thought I was going to, because I knew that I needed to be a Rhythm Hunter.
I was seized with a passion that I’d never felt before… sure, I’d done things that I enjoyed immensely–I’d done a lot of painting, some fashion design, rock climbing, hiking, even traveling. I had hobbies, but taiko drumming (funny that I found Japanese drumming in Australia) became an obsession.
I wanted to be a Rhythm Hunter more than anything, and somehow, incredibly, they let me. Six months later, after pouring my heart and soul into practice, they let me perform with them for the first time ever in the exact place where their performance had first stolen my heart.
It was only one song, Ladoai, but it was at the Woodford Folk Festival–the biggest festival they’d ever gotten in to–and I was ridiculously grateful for the opportunity and so humbled that they’d allow me to perform with them at something that meant so much to them.
How many people see a band perform, and go up to them afterwards and say, “Hey, I really want to do this, even though I’ve never done it before–you gotta train me”… and had them actually agree to it?
I’ve never heard of it happening with other professional groups, and all I can think is that it had to be fate, and that I’d fallen in love with the one group who would encourage me to practice and join them.
I’ve performed with The Rhythm Hunters ever since, and now have a part in every song.
I have had people come up to me after shows and tell me that they’ve never seen anything like us before, that we made their girlfriend cry, that we were the highlight of their festival experience.
It is such a pleasure to know our passion for what we do makes other people happy, and it’s an unforgettable experience to look out from a stage over thousands of people and see them enjoy the result of your hard work.
It’s been almost 2 years since I took that first leap and left America.
I’ll be returning for the first time in February for a two-month trip to show my boyfriend my roots, and say hi to all the people who expected to see me again 23 months ago. People from New York see photos of me on Facebook and tell me I look younger now than I did when I lived there, and I think it’s true: I’m happier than I’ve ever been, and I feel lighter in my heart, so I expect I’ve aged backwards a little.
My boyfriend and I will return to Australia, and I plan on moving here permanently, and eventually getting my citizenship. It feels much more like home now than home ever did. I had a dream recently of an intentionally designed sustainable community, and when I woke up, I knew that after I’m done being a Rhythm Hunter, that’s my next goal.
We’ll do it, my partner and I, of that I have no doubt, because I’ve found that the universe has a way of giving you what you want if you’re passionate enough about it.
I thought I knew what I was going to do with my life when I was 22. I thought I had all the answers, and it was just a matter of sitting back and living it. Then life, in its infinite wisdom, wrecked that idea wholeheartedly, and I realized I had no idea what I’d been doing, or what I should do.
However, in trusting that everything happens for a reason, and saying “yes” to every choice I had, I’ve found more happiness than I know what to do with. Life can’t be perfect, but mine’s pretty damn close. I’m not materially rich, and I probably won’t be for a long time (if ever) but I’m completely fine with that. I’ve got a roof over my head, a computer, camera, car, clothes; I don’t need more stuff.
I’m happy, and I’m happy because of what I’m doing and who I’m doing it with, and when people ask me my life story, it’s interesting and exciting because…
I chose to jump in, to roll with things, and to trust that everything will work out for the best.
P.S.—Look out for The Rhythm Hunters touring the states in 2012 – I’m totally going to line up some venues while I’m over there next year, and, if I may say so myself, we’re totally worth watching! And if you like it enough and are dedicated enough… well, there’s always a chance we can fit an extra instrument on stage :)
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